Do the skies in your photographs look somewhat "blah"? You can make them pop with a few easy tweaks in GIMP, the renowned open-source image editor. Here's how to do it.
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HTML5 Solutions: Essential Techniques for HTML5 Developers

Essential Techniques for HTML5 Developers

HTML5 brings the biggest changes to HTML in years. Web designers now have new techniques, from displaying video and audio natively in HTML, to creating realtime graphics on a web page without a plugin.

This book provides a collection of solutions to all of the most common HTML5 problems. Every solution contains sample code that is production-ready and can be applied to any project.

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How to Make Beautiful Skies with GIMP

Sunrise

Do the skies in your photographs look somewhat "blah"? So long as you take your photographs thoughtfully, you can make them pop with a few easy tweaks in GIMP, the renowned open-source image editor. These tweaks are also a great introduction to some of GIMP's more advanced features, such as layers, layer modes and layer masks. Here's how to do it.

Getting It Right To Start With

Sunrise original

1. You can make your job much, much easier (or, rather, not impossible) by following a couple of steps when taking your photographs.

2. Use a graduated neutral density filter when taking your photos. Consider getting one if you don't have one. A graduated neutral density filter blocks out light in part of your photo; since skies are typically much brighter than whatever is below them, this allows you to get a more consistent exposure across your photo. But, if you don't have one, or you have no way of fitting filters to your camera or lens, don't worry about it; see the next step.

3. Underexpose if you're not using a neutral density filter. This can be by as much as a stop or two; anything that ensures that your sky does not go pure white (or largely so). The lost detail in dark areas can often be recovered later. Blown highlights (from an overexposed sky) can never be.

The opposite is often true of film cameras; even massive overexposure does not result in blown highlights, but shadow detail is often impossible to recover. This is part of the reason you should shoot at a slow ISO; recovering shadow detail brings out noise. Also, the technique used here will bring out any noise that is in the sky, too. If your photo is already noisy (as it will be at faster ISO speeds), then the end result will be ugly.

Editing your Photo with GIMP

1. Open your image File | Open.

Sunrise with duplicated layer

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